11/20/2023 0 Comments Waist deep album songsPuerto Rican duo Buscabulla joins for “Andrea,” an indie-pop song that touches on femicide and gender violence. The B-side also serves as a melodic discourse on Puerto Rican livelihood. With dazzling eclecticism, Bad Bunny touches on nu-disco, psychedelia, electro-pop, and house on reggaetón-based songs like “Party” with Rauw Alejandro, “Tarot” featuring Jhay Cortez, and one of its most political tracks, “El Apagón.” The second half brings a wealth of unexpected collaborations: On “Ojitos Lindos” and “Otro Atardecer,” respectively, Colombian cumbia-electro group Bomba Estéreo and indie-pop band the Marías adapt seamlessly into the project’s world. The sound of seagulls in the track-to-track transition between “Agosto” and “Callaita” perfectly evokes the texture and atmosphere of the beach. The album’s gratifying transitions illustrate a summer in el caribe-what it feels like to be on those beaches, the colloquial phrases and dialects of the Spanish-language Caribbean. In this tiny, symbolic bar in New York City, he celebrated another muse for the project: the vacations he spent on the west coast of Puerto Rico as a kid. Yet, despite all the accolades and fame, Benito Antonio Martínez Ocasio can still be found in a narrow, Puerto Rican-owned bar in Brooklyn. As he’s gone on to become Spotify’s most-streamed artist two years in a row, Bad Bunny has set records never before seen in the industry. His range is represented throughout his discography, which spans pop-punk-meets-trap tracks like “Tenemos Que Hablar” (from 2019’s X 100PRE), “Hablamos Mañana” (2020’s YHLQMDLG), and “Yo Visto Así” ( El Último Tour Del Mundo, his second album of 2020 and the first all Spanish-language album to hit No. That versatility, paired with impeccable delivery, wordplay, and lyricism, has permitted him to exist creatively in a way no one else in Latin music, specifically within El Movimiento-to push the boundaries of gender conformity and fashion, for example, while simultaneously branching out to wrestling and acting. Since his early Latin-trap beginnings (which he nods to here on “Dos Mil 16”), Bad Bunny’s adventurous tastes have catapulted him to become one of the most prolific global tastemakers. It’s a loving ode to Caribbean culture that embraces marginalized scenes within Latin America, from the ostracization of Black-rooted genres like bachata, dembow, and mambo to the criminalization of reggaeton. Its enticing musical patchwork further lures listeners into El Conejo’s universe of experimental arrangements, sharp and nostalgic synths, and unexpected genre fusions. The album’s 23 tracks are conceptualized through an A side and B side scheme that separates high-energy party and fun sonidos from tranquility and conscious thinking. Recorded in his native island of Puerto Rico and the Dominican Republic, Un Verano Sin Ti is a cohesively packaged voyage through the various sounds synonymous with the Caribbean region-reggaetón, reggae, bomba, Dominican dembow, Dominican mambo, and bachata, among others. This release-week schedule reflects two of Un Verano Sin Ti’s animating forces: Benito’s bori pride and appreciation of Dominican culture. The day after, he appeared in the Bronx to record a music video for one of the album’s highlights, the upbeat hip-hop dembow fusion “Tití Me Preguntó.” Sporting a T-shirt honoring bachata legend Anthony Santos-whose “ No Te Puedo Olvidar” is sampled at the beginning of the track-he was seen turning up with Dominican youth, taking part in the street revelery known simply as teteo. As one of the most regarded Latinx-owned bars to survive the area’s gentrification while also preserving Boricua history, its existence symbolizes resistance. The first was a cute, intimate celebration at the last Puerto Rican social club remaining in Williamsburg, Brooklyn: the Caribbean Social Club (also known as “ Toñita’s” after one of its owners, Maria Antonia Cay). Quickly after releasing Un Verano Sin Ti, he made stops that reflect two major themes of the album.
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